Description

Panchalogam Mahalakshmi statue

Dimension

Height : 25.5 cm

Length : 19cm

Width : 8cm

Panchaloha Mahalakshmi refers to a sacred idol or deity made from Panchaloha, which is a traditional alloy of five metals. The term “Panchaloha” is derived from the Sanskrit words “pancha,” meaning “five,” and “loha,” meaning “metal.”

In Hinduism, Mahalakshmi is the goddess of wealth, prosperity, and fortune. She is considered one of the principal forms of the goddess Lakshmi, who represents auspiciousness and abundance. Devotees believe that worshipping Mahalakshmi can bring blessings of wealth, success, and spiritual well-being.

Panchaloha idols are highly revered in Hindu temples and homes. The five metals used in their construction are typically gold, silver, copper, zinc, and iron. These metals are chosen for their symbolic significance and believed to possess specific qualities and vibrations that enhance the spiritual energy of the idol.

The process of making a Panchalogam Mahalakshmi statue involves intricate craftsmanship by skilled artisans. The metals are melted, combined, and poured into molds to create the desired form of the deity. Once the idol is cast, it undergoes various stages of polishing and finishing to bring out its exquisite beauty.

Panchaloha Mahalakshmi idols are considered sacred and are worshipped with great devotion. Devotees believe that the presence of such an idol in their homes or temples attracts the blessings and grace of Mahalakshmi, bringing prosperity and abundance to their lives.

The lost wax method, also known as the lost wax casting process or investment casting, is a traditional technique used to create intricate metal sculptures. It has been employed for centuries and is still widely practiced today.

Here’s a step-by-step overview of the lost wax method:

Sculpting the Original Model: An artist creates a detailed model of the desired sculptures using a material such as wax. This model will serve as the basis for the final metal casting.

Creating the Mold: A mold is made around the original model to create a negative impression. This can be done by covering the model with a heat-resistant material such as plaster or ceramic. Once the mold material hardens, it forms a hollow shell with a cavity that replicates the shape of the original model.

Removing the Original Model: The mold is heated to a temperature that melts or vaporizes the original model, leaving a void in the mold where the model once was. This step gives the technique its name, as the wax is “lost” during the process.

Preparing the Wax Pattern: Molten wax is poured into the empty mold and allowed to cool and harden. The resulting wax replica of the original model is called the “wax pattern.”

Assembling the Wax Patterns: Multiple wax patterns are often created and attached to a central wax rod called a “sprue.” The sprue serves as a channel for the molten metal to flow into the mold.

Creating the Investment Mold: The wax patterns and sprue assembly are coated with a heat-resistant ceramic material through a process known as “investment.” This creates a solid and durable mold that can withstand high temperatures.

Burnout: The investment mold is heated in a kiln or furnace, causing the wax to melt and drain out of the mold. The remaining cavity within the mold represents the shape of the desired object.

Casting: Molten metal, such as bronze or silver, is poured into the cavity of the investment mold. The molten metal fills the void left by the wax, taking its shape and forming the final object.

Cooling and Finishing: The filled mold is allowed to cool and harden, solidifying the metal. Once cooled, the investment material is removed, revealing the metal casting. The casting may undergo additional finishing processes, such as polishing, grinding, or patination, to achieve the desired appearance.

D I S C L A I M E R
Slight color variations are possible due to difference in screen resolution and photograph lightings.