Panchalogam kalinga narthana krishnar 5 inches

Description

Panchalogam kalinga narthana krishnar and Kothai Andal statue, it would imply that the statue of Kothai Andal and Kalinga narthana krishna is made from the Panchaloha alloy. These statues are considered sacred and are typically handcrafted by skilled artisans using traditional methods.

Dimension

Height : 12.5cm / 5 inches

Width : 6cm

Length : 4cm

Panchaloha, also known as Panchalogam, refers to an alloy composed of five metals—gold, silver, copper, zinc, and tin. Panchaloha statues are highly valued in Hinduism and are often used to depict various deities.

“Panchalogam kalinga narthana krishnar with Godadevi” likely refers to a specific artistic or cultural representation that combines the classical depiction of Krishna dancing on the serpent Kalinga with the presence of Goda Devi, also known as Andal.

Andal, or Goda Devi, is a revered saint-poetess from South India, particularly known for her passionate devotion to Lord Vishnu, especially in his form as Krishna. She is famous for her compositions in praise of Krishna, known as the Tiruppavai and Nachiyar Tirumozhi, which are an integral part of the Bhakti movement in Hinduism.

In some artistic and cultural representations, particularly in South Indian traditions of classical dance (like Bharatanatyam), music, and devotional literature, you might find compositions or interpretations where Andal (Goda Devi) is depicted alongside Krishna in various contexts, including the Kalinga Narthana Krishna episode.

This representation emphasizes Andal’s profound devotion to Krishna, showcasing her as an ardent participant or witness to Krishna’s divine leelas (pastimes). It combines two significant aspects of Vaishnavite devotion: Krishna’s playful and divine acts (leelas) and Andal’s intense bhakti (devotion) towards him.

Such depictions are not only artistic but also convey deeper spiritual meanings about devotion, divine love, and the interplay between the devotee (Andal) and the divine (Krishna). They are cherished in cultural performances, devotional rituals, and literary traditions across South India, particularly in the context of Vaishnavism.